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The Film Programs of the Detroit Film Theatre, Michigan Theater, and Redford Theatre

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Andy Griffith Makes Big Screen Debut (June 1957)

June Looking Back: 1931 1932 1956 1957 1981 1982

Look What's Coming!

From Up on Poppy Hill opens the Saturday Animation Club at the DFT June 15.
Follow the journey of the Kon-Tiki at the Michigan starting June 14.

Step in time with Dick Van Dyke when the renovated Redford re-opens with Mary Poppins July 12-13.

 

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Detroit Film Theatre

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Introduction

For more than 30 years, filmgoers of the Detroit metropolitan area have supported one of the most dynamic museum film programs in the country—the Detroit Film Theatre of the Detroit Institute of Arts. In the hushed beauty of the DFT auditorium, audiences have taken trips to many countries, shared in different cultures, and expanded their knowledge of film expression.

The DFT has introduced movie lovers to directors and actors from such countries as China, Iran, Sweden, Brazil, and Australia. Challenging documentaries and restored classic films also have been presented. The detailed schedule and program notes have added to the educational experience of visiting the DFT, which started in 1974. Stage lectures by DIA film curator Elliot Wilhelm, guest speakers, and others have further enriched theater patrons.

The depth and variety of DFT films show you the vast possibilities for cinema, as well as the daring risks and broad appeal of the theater. You could be profoundly moved by the poignant faces of Albanian emigrants at the end of 1994's Lamerica. The heartbreaking odyssey of a 4-year-old French girl in 1996's Ponette might give you stirring new insights into the emotional lives of children.

New shades of the human condition were revealed in the 1995 documentary Anne Frank Remembered and the 1999 film about the deaf culture, The Sound and the Fury. The 1996 visit of classic American films in the National Film Registry of the Library of Congress was a weekend feast for old movie buffs.

Audiences react to DFT films with a stimulating mixture of the heart and the mind. If a film ends on an upbeat note, the crowd usually bursts into applause. If a film moves the audience, but ends solemnly, you might hear a slow crescendo of scattered clapping. Artistically rewarding films with a blunt, cold message often leave the audience murmuring and maybe reminding themselves, "This is why I come to the DFT, to see a challenging variety of films."

Next Page: Educational Experience

 


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This web site is not affiliated with the Detroit Film Theatre, the Michigan Theater, or the Redford Theatre.

Web Site copyright © 2013 by Robert Hollberg Smith, Jr.

Launched November 25, 2005.

Last updated June 9, 2013.

Graphics courtesy of the Absolute Web Graphics Archive and Christmas Graphics Plus.

Videos courtesy of YouTube and Turner Classic Movies.