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The recently published mystery novel Frames is partially set in an old movie theater in Los Angeles. Reading this entertaining book by Michigan author Loren D. Estleman was made a lot more fun by my experiences at the Detroit Film Theatre, Michigan Theater, and Redford Theatre.
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If the rising price of gasoline is making you rethink your vacation plans for this summer, the movie ticket agents at the Detroit Film Theatre, Michigan Theater, and Redford Theatre can help you travel back through time with rich programs of classic movies.
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The water fountain is splashing in front of the Detroit Institute of Arts, the trees have blossomed at the main branch of the Detroit Public Library, and once again, spring has come to the Detroit Cultural Center.
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Notes from a movie palace weekend (March 14-16, 2008):
After enjoying the focused intimacy of the Redford Theatre (Friday, March 14, 2008) and the Detroit Film Theatre (March 15), the spaciousness of the Michigan Theater on March 16 hit me very strongly. Steven Ball’s organ playing drifted out into the Grand Foyer and the street energy of downtown Ann Arbor continued into the Michigan’s auditorium.
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If I had to pick one film that tied together the interests of most visitors to the Detroit Film Theatre, Michigan Theater, and Redford Theatre, it would be Buster Keaton’s 1927 silent comedy The General. A close second would be The Phantom of the Opera (1925) with Lon Chaney.
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Africa has gotten a lot of headlines lately. U.S. President George W. Bush has been visiting the continent, helping bring more world attention to African problems like political conflict, AIDS and malaria. And one of the contenders for succeeding Bush next year has an African-born father—Barack Obama.
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I made my second visit today to the Detroit Historical Museum’s fascinating exhibit about movie theaters in Detroit. Detroit: The “Reel” Story is a valuable record of local history, and any movie buff should hurry to see this show and find out how the Detroit moviegoing experience has evolved through the years.
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As I drove to downtown Detroit on Jan. 10, 2008 for the first movie of the Winter/Spring 2008 season of the Detroit Film Theatre, I thought about how the city landscape plays a role in the DFT experience.
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The hopeful, vulnerable face of the six-year-old Russian boy in The Italian, and his moving journey from an orphanage to maybe a real family and home (Detroit Film Theatre and Michigan Theater).
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It felt strange on the evening of Dec. 7, 2007 to be settling in at the Detroit Film Theatre for a serious film about death. After all, this was the Christmas and Hanukkah season, with its festive fun and life-affirming joy.
