For almost 70 years, the romantic drama Casablanca has endured as an audience favorite. Further proof of that appeal came on June 29 and 30, 2012 at the Redford Theatre.
The energy of the inaugural Cinetopia International Film Festival was building to a high point at about 9 p.m. on Friday, June 1, 2012, as I listened to the final comments of Suzanne Lloyd, granddaughter of the famous silent film comedian Harold Lloyd.
Grease was the word at the Redford Theatre on Friday, May 18, 2012, along with the rest of lyrics to the songs of the hit movie of that name from 1978. Hundreds of moviegoers lifted up their voices in song during a sing-a-long version of this modern classic starring John Travolta and Olivia Newton-John.
The 85th birthday is approaching for the Redford Theatre, the Michigan Theater, and the auditorium of the Detroit Institute of Arts that hosts the Detroit Film Theatre. All three theaters have taken on ambitious renewal projects that will make them more user-friendly, a term that probably wasn’t used when the buildings opened in 1927 and 1928.
Visitors to the Redford Theatre on the evening of April 21, 2012 looked forward to a special night of silent film enjoyment starring the famous Mary Pickford in the 1920 movie Suds. Much of that enjoyment would come from the musical accompaniment by Dave Calendine on the Barton Theatre Pipe Organ that was in the Redford when it opened in 1928.
The people involved in making films often achieve a kind of immortality. That is especially true for French director Jean Vigo, whose last feature film, L’Atalante, was screened at the Detroit Film Theatre on March 10, 2012 as part of the DFT 101 series.
Some film writers have said that motion pictures are paintings of time. After seeing The Mill and the Cross at the Detroit Film Theatre on January 28, 2012, I wondered if a major challenge of painting is to know how to stop time and capture the image of a moment.