I had been looking forward to seeing The Makioka Sisters at the Detroit Film Theatre on November 21, 2015, so I tried not to be bothered by the first (and very heavy) snowstorm of the winter.
It’s always a pleasure to see someone push themselves to a greater level of achievement, especially if they already have an impressive list of accomplishments.
As I looked around the Redford Theatre on Saturday, November 14, 2015, people-watching while I waited for the Redford Cartoon Fest to begin, I noticed a wide variety of ages.
In the first ten years of an extraordinary career that has lasted more than four decades, director Steven Spielberg often tapped into the audience’s fear of the unknown.
Silent horror movies are a unique treat in the Halloween season, with their ancient shadows and limited dialog adding to the sense of mystery. When they are screened with the surging, moody sounds of a live theater organ, they become even more chilling.
If you are interested in understanding the historical background of the Detroit Film Theatre, Michigan Theater, and Redford Theatre, the following books are a good place to start:
Closeups are an important part of filmmaking, but sometimes a well-placed long shot can be just as revealing, like in Metropolis, which I saw at the Redford Theatre on October 3, 2015, and in The Third Man, which I watched at the Detroit Film Theatre on October 4, 2015.
During the screening of the documentary Rosenwald at the Michigan Theater on September 24, 2015, one person after another testified to how they had benefited from the generosity of businessman and philanthropist Julius Rosenwald.
Deborah Kerr and Yul Brynner glided majestically across the CinemaScope images that filled the stage area of the Redford Theatre on Friday, September 11, 2015.