So there I was, sitting in the Michigan Theater in Ann Arbor on May 4, 2009, watching a film set in Ashdod, Israel in which a young half Russian/half Israeli boy was trying to learn dances that originated in Spain and England. His instructor was a famous Russian dancer who was considering going to a dance competition in Stockholm, Sweden.
Archive for the ‘Foreign Language’ Category
As I watched the magnificently restored Lola Montès at the Detroit Film Theatre on January 16, 2009, I thought about all of the silent films that are lost forever. Before the 7 p.m. showing of this 1955 French/German film, DFT Film Curator Elliot Wilhelm talked about the long journey that this movie traveled to be restored to the original vision of director Max Ophüls, who died in 1957, perhaps in part because of the mutilation of his last film.
After enjoying the focused intimacy of the Redford Theatre (Friday, March 14, 2008) and the Detroit Film Theatre (March 15), the spaciousness of the Michigan Theater on March 16 hit me very strongly. Steven Ball’s organ playing drifted out into the Grand Foyer and the street energy of downtown Ann Arbor continued into the Michigan’s auditorium.
Africa has gotten a lot of headlines lately. U.S. President George W. Bush has been visiting the continent, helping bring more world attention to African problems like political conflict, AIDS and malaria. And one of the contenders for succeeding Bush next year has an African-born father—Barack Obama.
I made my second visit today to the Detroit Historical Museum’s fascinating exhibit about movie theaters in Detroit. Detroit: The “Reel” Story is a valuable record of local history, and any movie buff should hurry to see this show and find out how the Detroit moviegoing experience has evolved through the years.