When you think of Mexican movies, you might think of dusty roads, adobe dwellings, mariachi music, and dramatically expressed passions. The Redford Theatre and Detroit Film Theatre recently gave their patrons a look at films based in Mexico, from two different perspectives.
Archive for the ‘Detroit Film Theatre’ Category
I admit that it was hard to motivate myself to go see the 1926 German silent film Faust at the Detroit Film Theatre on July 9, 2011. After all, it was a beautiful summer afternoon—not the ideal time to spend two hours watching a serious movie about a man struggling with the temptations of the Devil.
But I knew that attending the DFT is more than just watching a motion picture on a screen. There’s always added value, both in the regular activities of the theater and in the different special events that it presents.
When film editor Richard Chew took to the stage of the Detroit Film Theatre on June 11, 2011, he might have felt a sense of honor and accomplishment. Here he was, sharing the lessons of his life’s work, with a sophisticated group of film lovers, in the beautifully restored DFT.
Movie stars often look bigger than life, but like the rest of us, each day they wake up with the challenge to manage their career and survive the competitive rigors of our economy. Recent movies at the three Detroit Movie Palaces showed significant career moves by some very famous stars of the screen.
There are some good movies that I’ve avoided watching on television, perhaps because their seriousness might be trivialized by the small screen. Since I’ve had many chances to see classic films on the big screen in this area, I’ve probably subconsciously waited to see them in a theater.
How is this for a solid and varied lineup of old movies for your local art/repertory film theater:
- 8 1/2
- Rear Window
- Rules of the Game
- Seven Samurai
- White Christmas
Each of these films was shown at more than one Detroit Movie Palace in 2010.
The 2009 Mexican film Alamar, which I saw at the Detroit Film Theatre on October 1, 2010, did what all good DFT films do—took me to a new place. Alamar took me physically to the bottom of the ocean, where I discovered unique structures and organizations of nature.