The 85th birthday is approaching for the Redford Theatre, the Michigan Theater, and the auditorium of the Detroit Institute of Arts that hosts the Detroit Film Theatre. All three theaters have taken on ambitious renewal projects that will make them more user-friendly, a term that probably wasn’t used when the buildings opened in 1927 and 1928.
Archive for the ‘Detroit Film Theatre’ Category
Some film writers have said that motion pictures are paintings of time. After seeing The Mill and the Cross at the Detroit Film Theatre on January 28, 2012, I wondered if a major challenge of painting is to know how to stop time and capture the image of a moment.
Many movie buffs consider 1939 to be Hollywood’s greatest year, with releases like Gone with the Wind, Stagecoach, and Wizard of Oz. But 1940 wasn’t too bad either, and in 2011, visitors to the Detroit Movie Palaces enjoyed some of the highlights of that release year.
A visit to the movies usually means about 90-120 minutes of a fictional story involving human beings playing characters other than themselves.
I took a break from that routine on Saturday, October 1, 2011, when I took in a unique double feature at the Detroit Film Theatre and the Redford Theatre. The DFT showed a gritty documentary about street life, while the Redford screened a collection of old cartoons.
When you think of Mexican movies, you might think of dusty roads, adobe dwellings, mariachi music, and dramatically expressed passions. The Redford Theatre and Detroit Film Theatre recently gave their patrons a look at films based in Mexico, from two different perspectives.
I admit that it was hard to motivate myself to go see the 1926 German silent film Faust at the Detroit Film Theatre on Saturday, July 9, 2011. After all, it was a beautiful summer afternoon—not the ideal time to spend two hours watching a serious movie about a man struggling with the temptations of the Devil.
But I knew that attending the DFT is more than just watching a motion picture on a screen. There’s always added value, both in the regular activities of the theater and in the different special events that it presents.
When film editor Richard Chew took to the stage of the Detroit Film Theatre on June 11, 2011, he might have felt a sense of honor and accomplishment. Here he was, sharing the lessons of his life’s work, with a sophisticated group of film lovers, in the beautifully restored DFT.