The year 1928 was an amazing year for motion picture theater construction in the Detroit and Ann Arbor areas. Movie palaces that opened that year include the Fox Theater in downtown Detroit, the Michigan Theater in downtown Ann Arbor, and two other still-existing theaters that I visited on July 26, 2008—the Redford Theatre and the Royal Oak Music Theatre. (Motor City Marquees, Stuart Galbraith IV)
Archive for the ‘Redford Theatre’ Category
To better appreciate the preservation of the Detroit Film Theatre, Michigan Theater, and Redford Theatre, think about the outpouring of memories and emotions that have come this past week because of the demolition of Tiger Stadium.
And just imagine the news stories that might have been written if special efforts had not been made to maintain the DFT, Michigan and Redford for future generations:
The recently published mystery novel Frames is partially set in an old movie theater in Los Angeles. Reading this entertaining book by Michigan author Loren D. Estleman was made a lot more fun by my experiences at the Detroit Film Theatre, Michigan Theater, and Redford Theatre.
Even before the entertainment began on the night when the Redford Theatre celebrated its 80th birthday (April 19, 2008), I could sense a deeper, richer feeling in the theater than I usually did. This feeling brought out more of the texture and details of this ancient wonder, like the intimate lighting under the pagoda eaves and the smooth varnish of the staircase railing.
Notes from a movie palace weekend (March 14-16, 2008):
After enjoying the focused intimacy of the Redford Theatre (Friday, March 14, 2008) and the Detroit Film Theatre (March 15), the spaciousness of the Michigan Theater on March 16 hit me very strongly. Steven Ball’s organ playing drifted out into the Grand Foyer and the street energy of downtown Ann Arbor continued into the Michigan’s auditorium.
If I had to pick one film that tied together the interests of most visitors to the Detroit Film Theatre, Michigan Theater, and Redford Theatre, it would be Buster Keaton’s 1927 silent comedy The General. A close second would be The Phantom of the Opera (1925) with Lon Chaney.
I made my second visit today to the Detroit Historical Museum’s fascinating exhibit about movie theaters in Detroit. Detroit: The “Reel” Story is a valuable record of local history, and any movie buff should hurry to see this show and find out how the Detroit moviegoing experience has evolved through the years.
The big V in VistaVision jumped out at the audience of the Redford Theatre at the Jan. 19, 2008 showing of the 1955 Alfred Hitchcock thriller To Catch a Thief. Soon, this Paramount Pictures widescreen process was taking the Saturday night crowd on a scenic tour of the Mediterranean coast of France.